The other day Potterton Books sponsored an interior designer gathering at Kips Bay. The round table discussion included design books, their reason for being and purpose today. All the designers agreed books are better than ever, they read refer to them daily and their libraries are overflowing with new one's they cannot resist buying.
Photo by Tim Street-Porter
Annie Kelly, whose new book Rooms to Inspire in the Country, is shown below, moderated a lively talk between Jamie Drake, Anne Pyne of McMillen, Jeffrey Bilhuber, Bunny Williams and Juan Montoya.
The first question was about Bunny's runaway success book, Affair with a House. In its 10th printing (a big number for design books), the book has the winning formula which she thinks is due to its personal nature. Relatable recipes, real life entertaining relaxed living resonate with the reader, as it is a window into the way Bunny and her husband John Rosselli really live. She shared that the house was a long undertaking, and decorating and renovating happened in stages--- not in a year or two like client's projects. Musing on the power of books she ended with this: "my last penny I would spend on buying a rare design book--it is our education". No doubt there is much to glean from historic texts and images.
Anne Pyne of McMillan is working with Acanthus Press on a book about the history of the legendary firm. Her approach is much more academic, with footnotes and a lot of archival research. She is clear she wants the book to be an historically accurately account of the work and times of the firm. For a visual, she brought a stack of books that are her reading essentials. She recommends Frank Alva Parsons (founder of Parsons) Interior Design and Decoration: Its Principals and Practice from 1931, The Poetics of Space by Gaston Bachelard from 1958, Cecil Beaton's The Glass of Fashion from 1921 and The History of English Furniture by Percy Macquoid and Ralph Edwards.
Juan Montoya wants his books to inspire, not just teach. He feels that books as oppose to magazines stay true to a designer's vision, since they have the say so and final approval on how their rooms are photographed, styled and written about.
Jeffrey Bilhuber recently came out with his fourth book, Defining Luxury. It's large format with brightly hued interiors is fresh and magazine- like, with its use of vignettes and close up shots. He shared that he feels books are a barometer of change and evolution that document societal changes. He uses design books daily as references for upcoming schemes and to share history and ideas with the clients. When discussing magazine editorial versus doing a book, he likes the fact that "you can control the process and edit through your eyes--you know what's there" but that "the camera will never capture what the eye sees." Being there in person is the next best thing.
Jamie Drake has Bloomberg as a client and has worked with Madonna. His book covers the first 28 years of his firm. His comment about magazine photography was, "you see see so much but you really see so little", referring to the closeness of many of the shots, styling by editors and omissions of what tells the interior's story. In a book you can show a whole room, and break it down into moments, which is a great platform for complete interiors.
What is next for this group? Bunny is working on A Scrapbook for Living about the essence of rooms and what makes them special, while Jeffrey is exploring how he gets from concept to completion of an interior and what inspires him.
Photos Courtesy of Rizzoli
A green painted bedroom fireplace with blue and white apothecary jars lining the mantel
In her follow up on Rizzoli's
Rooms to Inspire, this new book delves into the homes of tastemakers and colorful characters who enjoy the country for relaxing, entertaining and renovating. A variety of design perspectives from new modern ruralism to over the top decadence are seen through the lens of Annie's photographer husband, Tim Street- Porter. The duo once again brings together a collection of covetable homes from around the country. I think people will start to use bright paint hues creatively after a good read of this tome!
Decorator Henry Davis Sleeper's nautical dining room in the seaside town of Beauport, Massachusetts has teal paint accents and a great collection on antique green china.
Molly Duffy and Hugh Burns Southampton LI beachside escape mixes Chinese Chippendale and light hearted lanterns with pastel lilac walls.
Steven Gambrel's Sag Harbor, LI sailors cottages from 1790 are filled with nautical details. Here, a melon hued bedroom has framed artwork of a boat that was made from antique wallpaper. What a clever use of color and material, especially if the rest of the wallpaper was damaged or not usable.
Steven Gambrel has a casual living room with crisp white bead board siding and reclaimed wood beams.
The breakfast room has pastel walls with French rush chairs surrounding an 18th century Belgian table
Ally and Jock Spivy's Victorian dining room in Kinderhook, NY. A 19th Century antique sideboard in rich burled wood pops against the bright pink wall.
Charming! In his garden Tim Street-Porter created a garden folly after John Fowler's original in England.
Tony Duquette's Malibu ranch guesthouse with layered fabrics and textures in coral gold and green.