YOUNG TRADITIONAL AT MCMILLEN PLUS

by Marisa Marcantonio

"Taste is relative, but to be positive and vital it must respect the past, accept the present and look forward with enthusiasm to the future."
-Eleanor McMillen Brown, from Sixty Years of Interior Design

Christine Grace and Elizabeth Pyne head up McMillen Plus. Together, they take a younger clientele through the design experience, guiding them to stylish and fresh fabrics and furniture replete with the service and attention to detail McMillen is so known for. Established in 1924, McMillen is one of the oldest American design firms still operating today. By combining great style with business acumen, Eleanor was one of the first ladies of her generation to study interior design, and became a force in the industry. After three years at Parsons in New York and Paris she put out her shingle in a townhouse on 55th Street. One of her great strengths was the way she arranged furniture in a welcoming way. Albert Hadley, Mark Hampton, and Kevin McNamara worked there, and she allowed them to get credit for the work they did. With this history and service, McMillen has a way to attract the sort of client they always have. But now they are speaking to a new generation, the client that wants great design and ideas while leading a less formal lifestyle. You may have seen the House Beautiful article about the firm, explaining their important historical influence.
When I heard about the new division, I instantly wanted to learn more about it. Elizabeth is the third generation of “Sherrill” women – her grandmother, mother, and now she works at McMillen, which is a corporation, and owned by the partners of the firm. Elizabeth and I had both majored in art history and attended Trinity College, and her mother Ann went to my high school, so I reached out to her to get the story.

You recently joined McMillen, where your mother and grandmother are designers.

I joined McMillen seven months ago in November.

What did your grandmother teach you about design growing up? What is the best advice she ever gave you about design?

My grandmother has never sat me down to “teach” me. (That has been my mother’s role. And she is a fantastic teacher!) However I have learned by observing my grandmother in action:
My grandmother is always dreaming up new schemes. Ever since I was little, I remember her making additions to her houses and coming up with new projects. And she is always acquiring new objects for her houses (and all of ours), and building onto existing rooms. She changes her mind quickly and even at her age, she embraces new ideas that I never thought she would.

My grandmother (and mother) instilled in me the importance of longevity in design: One of my earliest memories is of choosing my bed (lace canopy) for my room at 580 Park Avenue. I was dying to have a bed where the canopy was gathered into a huge gold crown. And I remember my mother saying to me, “You can have it if you really want, but I think that you will tire of that gold crown in a few years, and then you will be stuck with something that you don’t like.” It seems very simple, and obvious, but I never forgot it. Whenever I buy something for myself, or I am looking for a client, I really try and think of the long term: is this a fabric that will get tiring after a while, is this a rug that can be reused in another space? And this type of thinking is most important, I think, for my clients, some of who are in rentals or are in smaller apartments. I encourage them to invest in things now that they can see themselves with for a long time and that could be transferred to other spaces.

How did growing up in and around beautiful, well designed interiors affect your sense of style and eye?

It spoiled my eye! I can’t help liking things that are well crafted. I used to lie in my bed in the mornings and run my fingers up and down my wallpaper, feeling the raised pigments. Today, I am so disappointed with wallpapers that are flat-feeling. Now that I’ve learned something about textiles and wallpaper, I realize that my old wallpaper was made with something like 28 screens. I think that I am more able to think of things in terms of schemes. Whenever I see an object that I love I immediately think: but how could I fit this into the scheme that I am working on? I am fascinated by the way things are made. When I was a little girl, I used to unravel the bullion fringe of our living room ottoman because I was so curious to see how the threads were twisted and woven together.

Your tastes run classic with a penchant for French 30's and 40's accents. Where do you think that came from?

I like those pieces because they are modern in feel, but they are also whimsical, with little hand-made details.

You studied abroad and traveled a great deal in Europe. What inspired and influenced you most?

What fascinates me about Europe – Italy especially – is the way that masterpieces are a part of the fabric of everyday life. And in Europe I get a sense that there are layers: civilizations and generations building upon one another. In Venice for example, the church of Madonna dell’ Orto is a 14th and 15th century structure; inside of it there are these huge canvasses painted by Tintoretto in the 16th century; the organ over the entrance of the church was built in the late 19th century; and now, in the 21st century, they continue to hold services there. And I love interiors that incorporate works of art and that have that sense of layering.

Studying art, especially old masters, was your passion. What made you switch tracks?

Art was, and still is, my passion. I love beautiful things. But I don’t think that my passion was just for old masters, or even paintings. Art for me is anything that is beautiful and moving: whether it’s the brilliant hues in a masterpiece by Bellini or the deep purple of a Manuel Canovas linen. I was drawn to interior design because now I have a chance to create beauty in interiors, instead of just studying it, or selling it.

With the starting of a younger division McMillen Plus, what are the goals of the new team and what is your focus?

The goal of McMillen Plus is to capture a younger client. One of our problems is that people, especially my age (29), think that McMillen is a little too “venerable” for them, and we are trying to counter that reputation.

However, we also think that we can offer young clients a lot of expertise that a lot of young decorators cannot offer their clients, i.e., I am working with, and having my ideas vetted by, designers and architects who have been doing this for thirty years.

McMillen offers a white glove experience. How do you think people's lifestyles have changed from when your grandmother began?

We still aim to offer a white glove experience, as I think all decorators should. Our job is to make decorating as smooth and as painless as possible for our clients. I think that is a major reason for someone to hire an interior designer: to have someone else chase vendors, supervise an installation, etc. And I don’t think that that will ever change.

One thing that I think has probably changed is that people are more comfortable with casual and simple looks, as opposed to overly formal and elaborate. This is even apparent when you look at what I wear to work: when my grandmother first started the older ladies of the firm would actually wear white gloves to work, whereas now I wear blue jeans all the time. But that’s not to say people want sloppy. I think people will always want an elegant and coherent look, and that is something that McMillen has always excelled at.

What does home mean to you?

Home is a place where I am surrounded by things that I love.

I went to visit her at home, in the apartment she designed. I love all the femme elements, cream and rose colors, and beautiful art placed thoughtfully in the space. I caught her on a night she was going out, hence the dressy dress!

An entryway leads into the sitting room, where glam upholstered Hinson chairs flank the fireplace and plush sheepskin rugs add a dash of old Hollywood. Black and white elements tie the rooms together and colorful vases with family mementos fill the bookshelves.

In her sitting room, she used coordinating fabric at the windows to match the Osborne and Little wallpaper. Floral and feminine with butterflies, the feeling is light and fun. A great set of antique metal furniture form a sitting area and an trefoil ottoman floats next to it.

Her living room has ottomans and places to perch during a cocktail party. Amassed over years, art collection extends to every wall in her home, even her bathroom has a wonderful Wyoming landscape.


The Osborne and Little window treatment fabric ties the room together. To find accessories and other special things, she spends time hunting for great vintage pieces, including her new Parzinger benches, upholstered in the original yellow leather.


She wallpapered her kitchen and powder room off the back of the kitchen in a small black and white pattern.

Her girly pink and white bedroom where she has combined mid-century modern pieces with traditional elements is cozy.

A classic Rose Cummings coral wallpaper creates a fresh palette for her white accented bedroom. As an avid collector of paintings and drawings, botanical prints hang above Elizabeth's modern desk. After working in the Old Masters Department at Sotheby's, she made the change to design.

By adding built in cabinets she has storage galore. A fold-up vanity from Conran's takes up a small amount of space. A piece like this makes getting ready for a night out a treat.


EASY WAYS TO GET READY FOR SUMMER: ADD BRIGHT NEW BEDDING

by Marisa Marcantonio

The latest crop of summery bedding brings relaxing pastels and nature motifs. Put a new coverlet with matching Euro shams on your bed and you can get your bedroom in summer mode in no time at all.


Bedding newcomer Ferran, started by pattern aficionado Kathryn Ferran Kayajan, has great color combinations, whimsical embroidery and fun patterns. Visit their website Ferran Store for adorable coordinating robes and raincoats.


Awning Stripe, a new pattern from 1891 by Sferra, has a broad lavender stripe alternating with blooming florals for a fresh spring is here! look.


Blue and white shells and coral come together in the newest Lulu DK for Matouk Harbour Island pattern.


Embroidery by John Robshaw is mixed with a graphic geometric, making green and brown new.

Photo Courtesy of Manuel Canovas
Manuel Canovas will have you thinking pink with their Saint Barth Rose bedding. Carried by Gracious Home.

Photo Courtesy of Manuel Canovas
Canovas's hallmark punchy colors, seen here in pink and green in their new Taj Mahal pattern, make the combination European sophisticated, instead of preppy cute.

TREND REPORT FROM THE NEW YORK GIFT SHOW

by Marisa Marcantonio

I thought I would highlight the trends I saw over the last few days. From those just starting to form to full -fledged "there it is again", I wanted to show what is emerging. I chose the objects for their beauty, innovation, creative edge, unique material and color.
The natural world is still a major trend in the market. Naturalized not stylized flowers, leaves, sea life and animals were everywhere I turned. I saw a lot of natural wood, recycled material, natural finishes and rusticity. Embroidery and global influences are still very present. Ikats have been embraced as the next big print pattern, edging out suzanis. For color, there were many items done in bright cheerful colors including yellow, and also pastel shades were out there. Yes, the coral sprig is still being shown in bedding and on a few decorative accessories, believe it. After all spring is on the way!


NATURE MOTIFS



John Derian added fish and assorted animals to the mix.

A fairly young company called Simrin looked to the barnyard for inspiration. We are going through an Americana renaissance right now, and there seems to be a big barn fixation. Williams Sonoma Home did Modern Barn, and here is Animal Farm. The plastic trays are adorable and hearken back to simpler times.


The same animals make their debut on these burlap placemats from Simrin. Kids will love these.


Dransfield and Ross took the cocktail napkin to a whole new level. Monkeys love a good party too.


Aero Home expanded their porcelain accessories adding this passion flower.


Simrin also had a nice botanical touch. These Nature trays of varying size are great gifts for gardeners.


Oversized blooms and leaves flowing off the edges are lush and lifelike. The palette includes off colors like mustard and olive keeping these elegant. They are made in NYC, so I love them even more.


EMBROIDERY


The Twig pillow above is from the Private Collection by Dixie Rinehardt, a New York interior designer with a love of nature and Indian embroidery. She won Best New Product at the show! I can see why.


Double Red Sunflowers have great multi-colored petals and intense embroidery detail.


Also from The Weekend Cottage Collection, this detailed embroidery is very arts and crafts in color and design.


Sunflowers in teal.


More Sunflowers in cheerful Florida Key lime.


Chelsea Textiles has the best pillows that I show ad infinitum. Tonal sophistication and muted colors look great with a neutral color scheme. The embroidery on top of the print is a nice custom touch.

NATURAL MATERIALS


I found a great new mirror resource called Made Goods. The patinated metal deco Chloe above is so chic.


The company uses wonderful materials to great effect--the shell inlay and relief here looks gorgeous.


With global influences not going anywhere soon, this Syrian- inspired mirror is another beauty. Bone and resin with the scallop edge adds charm.


Roost worked wood into everyday objects.


Recycled glass and relaxed chic from Canvas through Ochre.

TEXTILES


Motel Deluxe, known for their gorgeous French papers, had gorgeous photo albums and journals in this rich eggplant and multi- colored ikat.


Manuel Canovas bedding got crazy with technicolor feathers.


Ikat silk pillows made in Cambodia come in sharp colors. Cambodge Collection, a pillow company started by designer Kerry Green, has a great assortment of silks in jewel tones. Get in touch with her to order, and to see swatches.