HADLEY ALUMS CAME OUT IN FORCE FOR SOUTHPORT'S ROOMS WITH A VIEW

by Marisa Marcantonio

It was the best year ever! Early in November, Rooms with a View honored Albert Hadley, with 12 designer vignettes created by those that have gone on to great success after being mentored by the design icon. Hints of red, round mirrors, animals and etageres play a role in the spaces, as an homage to Hadley's favorite homey and welcoming design elements. The annual showhouse, located at The Southport Congregational Church, brought out the design cognescenti from near and far, who came to see the exceptional rooms created by leading designers who have gone on to run their own successful firms.

Bunny Williams worked with Mr. Hadley for 22 years since the days of Parish Hadley.

An homage to Hadley's New York apartment, Bunny used a round table from her Beeline Collection and hanging pendant light. Check out the french doors with an image of Mr. Hadley in his Southport garden circa 1990.

Her Bee Line Collection pieces make the small space a relaxing room.

A gorgeous gold gourd made by Christopher Spitzmiller sits next to sentimental photos, and stacks of books.

Bunny's favorite books, a bar and objects fill an etagere surrounded by framed art.

Genius! Bunny made a shelf of an etagere an instant bar.


Pamela Banker worked at Parish Hadley in in 1995, staying for 5 years. She and her team created a red office with a signature etagere, round mirror and workable desk and painted zebra canvas rug.

This antique mirror is fantastic, a round mirror is de regeur for a Hadley interior.

An Albert Hadley designed lamp from Christopher Spitzmiller in silver glaze illuminates the work space.

David Easton strikes a pose. After a year with Hadley he went out on his own. He is in the midst of a twenty stop book tour promoting his new book, Elegant Interiors

David Easton's office setting included a desk from his collection and Safaveih rug he designed. A Moroccan hanging lamp adds an unexpected twist.

Beautifully engineered shelving hold models of homes he has designed.

The back wall is made of a painted cork board displaying architectural renderings.

David brought desk accessories from home and a lamp from his Robert Abbey collection.

Thom Filicia worked for the firm from 1992-1993. Here he is, standing in front of his fantastic electric yellow vignette.

Bold yellow stried walls play off a French blue table and blue ceramic lamp. A bulls - eye canvas makes a great focal point, and the circle motif is carried through in the console below.

An ebony hexagonal mirror ties the seating area together.

The coffee table holds two things Mr. Hadley always included-- a bowl of quarters and a pair of dogs.

Michael Whaley, who began his career at the firm, created a serene spot in taupe and cream. Elegant sconces frame the settee, covered in satin.

A slipper chair -- always present in a Hadley room.

Libby Cameron created an office with tried and true Hadley touches. covered walls in "Desmond", a black and white Sister Parish Design. In a nod to a favorite animal of Hadley's, wise owls dot the vignette. Libby filled me in on her time there. "I got a month long internship in the fall of 1982, I was then hired full time shortly thereafter in 1983 to be Albert's assistant. I first started working with him on the restoration of Gracie Mansion. I had the most wonderful, magical experience at Parish-Hadley during my fourteen years there-I learned so much and saw so much, I am eternally grateful. I left Parish-Hadley in the fall of 1995 after my daughter Clara was born, and put out my own shingle. Albert taught me the importance of details, and always stressed that everything had to be finished properly and have a finished edge, that welts could not be big, that everything had to be subtle and made to look like it was done by a dressmaker. Albert always referred to rooms having skylines, which is an image I always carry with me. One's eye should be able to travel around a room, up and down, and not have everything be at one level. Objects, furniture and paintings all at different levels create interest and intrigue-which is what makes a room work."

A bright glazed Christopher Spitzmiller lamp sits on a green desk. A clipboard holding a notepad with drawings and Do Not Forget notepad were ever present on Hadley's own desk.

A charming bookcase with bone inlay holds books featuring Parish Hadley work.

Rarely seen without a pencil in hand, Hadley was constantly sketching. Seventeen drawings done by him are hanging from Libby's personal collection.

David Kleinberg got his start at Parish Hadley in 1981. His area incorporated neutrals. Stripes carried over from the walls, to table skirt and floor design.

A Swedish L-shaped bench tucks in perfectly behind a round table, making the most of the allotted space.

The etagere again!

A glam floor of gold and white stripes.

Harry Heissmann, in his fantastic space. Harry was with Hadley from 2000-2009. He shared, "Albert taught me not to be afraid to think outside the box. Every detail matters, if you're using pairs of something - don't put them next to each other. The ceiling is a "fifth wall", don't forget it. I have "Mr. Hadley moments" all the time, where I think about what he would do. That could be editing or taking away or trying to find the most simple and effective solution to a "design problem" without overthinking it. On job sites or in workrooms when he didn't like something, he would say: "just make good". That meant: do it, solve it and don't talk about it - and believe me, it got you thinking! And then he teaches you to be humble. It's decorating and designing,not surgery..."

Harry Heissmann created a black space filled with graphic 70's elements.

All set for breakfast in bed with a side of Flair.

There is a tres Truman Capote feeling here.

Suzanne Earls Carr worked in a cream palette with touches of blue. There is a serene simplicity in her space. Topiary trees frame the entrance, adding their shapes to a linear space.

Cocktail time! A white textured Gourd Lamp (another great Spitzmiller piece) sits next to sentimental photos.

Thomas Jayne used Rorschach inkblot test- like brightly painted panels from Chuck Hettinger Studio to tie an antique filled space together. He worked at Parrish Hadley from 1986-87. He recalled, "He never discounted or overlooked any period of style for inspiration. He is as assured with Left Bank Parisian 1930's design as he is with Chippendale and Louis XV. I honor Albert because he advocates a personal connection with a room’s decoration. In an Albert rooms, you almost always get a sense of who lives there – they are never generic."

A clean lined settee with tapered legs fits neatly in the corner, covered with pastel pillows.

A happy faced pillow adds a touch of whimsy.

A narrow secretary would make a nice desk in a small New York apartment.

Great books like Happy Times and his newest tome, "The Finest Rooms in America" make the space personal.

Brian Murphy used amazing art that worked well with "Fireworks" wallpaper from Hadley's Hinson collection. When asked about his time working with the firm he said, "I worked for Albert from 1987 until 2000. My favorite quote from Albert is "Give em what they never knew they always wanted", which I think is a paraphrase of Diana Vreeland." The furniture in his booth is all 19th Century American.

A high backed garden bench and demilune plant stand and gothic hall chair and folk art coat rack.The bright and uplifting paintings that tie the space together are by Melissa Richard.

An American hooked rug from Rahmanan adds a nice graphic element against the painted furniture.


Brian McCarthy, who joined Parish Hadley in 1983 as Hadley's assistant, created a sitting area with neutral creams and dark browns. An amazing wavy wall surface out of plaster are juxtaposed against round mirrors from Line Vautrin grouped, a la Hadley. A comfortable chair, furry stool and ethnic rug tie the scheme together.

Every designer that has worked with The Dean knows and loves the folding ruler.

HELLO FROM THE NY GIFT SHOW: CATCHING UP WITH THE DESIGNERS THAT SET THE TONE

by Marisa Marcantonio

Meet some of the great designers at the New York Gift Show. These creators have influenced trends, silhouettes, materials, finishes, patterns and colors. Here is a behind the scenes look at what the talent is up to at the Piers and Javits Center. More to come-- so much ground to cover...

BUNGALOW 5

You know the highly publicized Jackie table, now meet the man behind it! Luca Rensi (above) and John Roudabush (busy with clients) made this company hot. Luca came from an interior design background, having been at Mark Hampton, David Kleinberg and David Easton as a senior designer. He and his partner wanted to create furnishings and accessories that were well-made with high style. Starting from scratch, they now have a mini-empire, creating great hand-rubbed lacquer furniture, recently added porcelain lamps, eglomise framed art, and other great accessories.

SHOWSTOPPERS:

Chest of drawers wrapped in linen. Interior designer taste without the prohibitive prices.

Subtly channeling the pagodas of Tony Duquette in a lamp.

Track down a lovely home store near you at Bungalow 5.

HOME, JAMES!
David Cipperman and Joseph Schreick know tabletop. For the past twenty years their shop home, james! in East Hampton has outfitted summer houses with beautiful accessories, gift items and place settings. Then, several years back, they created their own line of china, crystal and linens, inspired by the beach, resort lifestyle and travel. Their color choices are poppy and fun, making their designs easy to love.

SHOWSTOPPERS:
Ikat in soft blues has found its way onto the plate. Perfectly summery for Crete to Watch Hill. The all-over pattern is sharp.

Their Chinatown pattern was a great success. Chinoiserie is such an evergreen design motif this new pattern is sure to be a crowd pleaser.

Throw a dinner party every weekend with home,james!.

JONATHAN ADLER

Oh, Jonathan! Work the camera. Your energy and talent keep on cranking out the hits. So many new additions- when do you sleep? New orange and turquoise enamel frames and napkin rings round out a great season. Do not fret, tons of pillows and accessories are in abundance too.

SHOWSTOPPERS:

Double-cased bright glasses in candy colors.


JA lacquer is back! The tray table is uber- chic and I was starting to miss the octagonal umbrella holder.

See it all at a store near you or at Jonathan Adler.

JOHN ROBSHAW
World wide travels inform John's design aesthetic. Indian block printing and hand woven details have made his bedding and soft goods a favorite of bohemian chic. A gig with HSN and lots of great press means that his influence on design has really taken hold. The stripes, squiggles and small all over patterns mix really well with each other. Coordinates are the way to go.

SHOWSTOPPER:

Rock the block print at John Robshaw.

ROOST
Roost Co. is located in Sausalito, CA. Each and every show Scott Donnellan wows crowds with inventive glassware, wooden pieces, furniture, tabletop, accessories and other goodies. Handmade pieces with an artisanal feel put Roost above the rest. They set the trends with the material selections, finishes and shapes.

SHOWSTOPPERS:
As I like to say, one can never own too many trays! The metal edging makes them campaign -style- meets- nautical.

Cherry blossoms have been in the mix for some time, but on glassware they look fresh.

Find out where to buy it at Roost Co.

DRANSFIELD AND ROSS

Dransfield
+

Ross, in his killer suit. This man loves fabric.
John Dransfield and Geoffrey Ross made pillows fashionable again. We want to switch out the throw pillows at the end of each season, thanks to them. They are known for their fashion-forward materials, working with grosgrain ribbon, preppy prints, ikats, embroidery, velvet, feathers, and patchwork. In addition to place mats and napkins, their line includes small tables, bath accessories and bookends.

SHOWSTOPPERS:

Lime green and turq, a perpetual spring favorite.


Pop art is an inspiration in home right now. Andy Warhol and Roy Lichtenstein are influencing. Fashion design Lisa Perry does mod dresses that would go well with the puddle side tables shown here. Louis Vuitton's Stephen Sprouse brights came out at just the right time.


Hand-painted scenics in blue and white are a nod to tradition. And in case you did not sense it, traditional is back in a big way. In a down economy, comforting and classic are the way to go.


The multi-color painted patchwork with dragged finish is so chic.

Feed your inner color muse at D and R.

AND FINALLY:


The showdog! Winnie has her own buyer's pass. At Chelsea Textiles she welcomed everyone and kept them smiling.


Global influences and embroidery are still hot. The Moroccan star pillow from CT is graphic and chic.

See more embroidery in soft colors from Chelsea Textiles.

Stay tuned for more design picks from the show...